Thursday, October 31, 2013

Hoping for the Best in an Age of Uncertainty

Sherry Lee Linkon, writing about Teardown: Memoir of a Vanishing City in Times Higher Education, reminds us that there are no tidy, clear-cut solutions for shrinking cities like Flint:
While scholars and urban planners throughout the US and Europe debate strategies for revitalising former industrial cities that are “shrinking”, “forgotten” or “failing”, Young reminds us that storytelling, including the kind of inconclusive ending we might find in a contemporary novel, sometimes reveals more than the most careful study can. Better yet, a good story shows us why we should care, even if it doesn’t provide any solutions.
And she points out that while Flint may seem unique to me and those of us who grew up there, the city's plight is, in many ways, all too familiar:
Flint will survive, he tells us, because it has many “tough people fighting…in their own ways”. But it will be a long, hard battle without a triumphant conclusion: Flint will never again be “a bastion of the middle class”. At best, it might become “a different place that still had pride and dignity”. That may sound like a disappointing conclusion, but it’s an honest one. The economic and social challenges of the post-industrial austerity economy are complex, and we may never return to past prosperity. Like Flintoids, we need to keep fighting in our own ways.
Read the entire review here.

Sunday, October 27, 2013

Flint Photos: Connor Coyne

Flint writer Connor Coyne arrives in Chicago via his minivan/chariot/objet d'art for the publication of his latest novel, Shattering Glass.


Flint Artifacts: 1977 IHL All-Star Game Button



Sunday, October 20, 2013

Flint Photos: Trolley Bus in 1954




Flint Photos: You Auto Buy Now



Sunday, October 6, 2013

Flint Photos: Corner of Pengelly Road and Browning Avenue in 1975


Thanks to Flint attorney Benjamin Allyn, in the middle carrying a big stick, for the photo.


Sunday, September 29, 2013

Valencia and Flint, Michigan Attempt to Iron Out the Design Wrinkles

Repairs have begun on Santiago Calatrava's opera house in Valencia, Spain to smooth out the wrinkles on its white exterior. (Photo by Samuel Aranda for The New York Times.)

 If it makes you feel any better, we are not alone.

Valencia, Spain's third-largest city, has been hard hit by the recent worldwide economic downturn. Like Flint, it has an unemployment rate pushing 30 percent. And like the controversial "floating house" in the Vehicle City, it has a high-profile design project in the heart of the city that is unexpectedly wrinkly.

Granted, Valencia's troubles are on a much grander scale. The City of Arts and Sciences is a new multi-building cultural complex in Valencia that includes "a performance hall, an opera house, a science museum, a covered walkway and acres of reflecting pools," according to a recent article in The New York Times. It is the work of architect Santiago Calatrava, who is known for his stunning vision and, lately, his cost-overruns and design flaws. The City of Arts and Sciences was originally priced at $405 million. The pricetag is now inching toward $1 billion.

Modest by comparison, Flint's controversial "floating house" resides in a downtown parking lot and is the winning design in the international Flat Lot Competition sponsored by the Flint Public Art Project. The house — designed by a London- and Madrid-based firm called Two Islands — has been criticized by some residents for its $40,000 pricetag and its wrinkled Mylar exterior. Calatrava's work has drawn similar criticism. Suzanne Daley of The New York Times reports: 
Here in Valencia, the regional government’s spending spree and Mr. Calatrava’s work are being dissected and disparaged regularly as local politicians fight over who is responsible for the project’s pile of debt. Regional officials had hoped that the complex would transform this city into a tourist destination, in much the way that Frank Gehry’s Guggenheim Museum in Bilbao put that city on the map, and they continue to defend the investment. But they appeared to draw a line last year when the smooth skin of Mr. Calatrava’s opera house — some call it the Darth Vader helmet — began noticeably wrinkling just six years after the building opened.
At least critics of the floating house can take solace in knowing that it has sparked a vigorous debate over the impact of public art in civic life and fostered intense discussions about the esoteric nature of beauty in a city normally consumed with tackling blight and abandonment. It was privately funded. And unlike Flint's seemingly intractable economic problems, the floating house is a temporary structure. It will soon disappear, wrinkles and all.


Flint's wrinkled public art project has drawn complaints from some locals.


Thursday, September 26, 2013

Flint Photos: Capitol Theater



Tuesday, September 24, 2013

A Color-Coded Shrinking City

 
A map used in the City of Flint master planning process reveals the extent of abandonment and sub-standard housing in the Civic Park neighborhood. Go here for the master plan map gallery. 




Monday, September 23, 2013

Calling Dustin Hoffman

Talk about journalism dream jobs...Plastics News in Detroit is hiring!