Showing posts sorted by relevance for query Ben Hamper. Sort by date Show all posts
Showing posts sorted by relevance for query Ben Hamper. Sort by date Show all posts

Wednesday, July 15, 2009

Ben Hamper Remembers Jack Gilbert's Wayside Inn

Jack Gilbert's Wayside Inn at the corner of Pasadena and Lawndale. (All photos by Ben Hamper.)

I just got an email and some photos from Ben Hamper, the bestselling author of Rivethead: Tales from the Assembly Line, one of my favorite books. Combine Rivethead with Theodore Weesner's The Car Thief, and Bud, Not Buddy by Christopher Paul Curtis, and you've got an impressive triumvirate of Buick Town literature.
For a few days a week in the seventies, Ben drove a contingent of Civic Parkers across town to St. Mary's for school. I remember me, his brother, sister, and daughter in his AMC Pacer.

"I was raised in the Civic Park area," Ben writes. "Specifically, I grew up on the corner of Dayton and Lawndale. I went to grade school at St. Lukes. Once I hit 9th grade, I also used to catch the bus downtown to go to St. Mike's. I would either grab the Dupont bus, at the corner of Dupont & Dayton, or the Civic Park bus, in front of the laundromat at Dayton & Forest Hill. When Powers opened, I went there -- graduating in 1973.

"At that time, the Civic Park area was a wonderful spot to grow up in. I used to haunt many of the places you or your readers mention — Bassett Park, Haskel , Dayton Pharmacy, Double D Market (my class E baseball team was sponsored one summer by Comber's Market, its original name), the Civic Park library, Balkan Bakery, the barber shop that switched into Ski Haus, and later on, Jack Gilbert's Wayside Inn and the Civic Park Lounge. Fine memories, all.
Like many in the neighborhood, Ben spent some time at Jack Gilbert's Wayside Inn. My family often went there on Fridays during Lent for fish. I still remember an old guy teetering on his bar stool to give me a quarter one time.
"Ah, good old Jack Gilbert's," Ben writes in his email. "That place was always like a magic mystery land to me while I was a student at St. Luke's. I always craved to know what went on in there. Many of our fathers hung out there but they weren't much on information. Fortunately I got to experience the place for myself a few years later. Great fish & chips! I always ordered the frog legs & battered potatoes. Will include a photo of the place I took a couple years back. I still recall sitting there sucking on a beer on a lazy Saturday afternoon when I got the call to report to GM."
This seems like a perfect time for an excerpt from Rivethead:

I wasn't home the day GM finally called. It was a Saturday and I was planted on a barstool up at Jack Gilbert's Wayside Inn. I didn't expect to get called in on a weekend, so I left the house with no instructions to where anyone could reach me. My little brother, a real wiseacre, told them that I could be reached at any number of North Flint area bars. I'm sure this tickled them pink.
Fortunately, I had given GM my in-laws' number as a backup and my sister-in-law came racing into the Wayside where I was in the process of getting shit-faced with her boyfriend Rick.
"Ben. BEN! GM just called you! They want you to come to work."
"Shit," I hollered, "it's about time those bastards rang me.
On a weekend, no less. That gives me and the old Ricker here time to do some much-deserved celebrating. Did they mention what time they needed me on Monday?"
"No, no, no! They want you to work TODAY! The said to be there at four and to wear some work boots if possible."
"TODAY? Saturday? It is Saturday, isn't it? Four o'clock? WORK BOOTS?"
"Four o'clock," my sister-in-law repeated. "Work boots if possible."
This was some heavy shit. To be called in during the middle of the weekend smelled like an emergency. GM was now in the midst of one of their all-time boom-boom quota years, so I supposed reinforcements were needed on Saturdays, Sundays, Salad days- any time was the right time. This also marked the first time I ever remembered being asked out on a Saturday night by a corporation.
"I better move out," I told Rick. "Musn't keep Papa Jimmy waitin'."
"Wear something sexy, ratboy," Rick laughed. "And don't forget to write."
I hustled home. I didn't have any work boots, so I just threw on a pair of old Converse hightops along with a T-shirt and a pair of filthy jeans. My head was reciting all the advice my distant aunt had filled me with: Keep your guard out for troublemakers. Don't be coerced into drinking. Be on time. Do everything you're told, try to do extra, don't engage in horseplay, address your supervisor as "sir." Check, check, check.

Ben was the host of the radio show "Other Voices" in Flint in the eighties. It later became "Take No Prisoners" and expanded to TV. It was one of the few options for punk, alternative or music you'd never here on Live 105. He still has a show up north on WNMC. You can listen to it on the internet on Fridays from 9-11. Or if you want the classics, Aaron Stengel has an amazing supply of old shows and samples at the Flint Underground Music Archive.

"I curently live in Suttons Bay, 20 miles north of Traverse City," Ben writes. "I go down to Flint every other month or so. I always tour the old neighborhood. It's a dismal cascade of drek, but it's still home."


Tuesday, December 11, 2012

Ben Hamper Reading at Barnes & Noble in Flint Township

That looks like a pen, not a rivet gun. (Photo courtesy of Sean Work/Mlive)

Legendary Flint writer Ben Hamper will be signing copies of Rivethead: Tales From the Assembly Line at the the Barnes & Noble store at the Genesee Valley mall on December 13 at 5 p.m. Go here for a recent interview with Hamper.

Wednesday, January 9, 2013

Howie Makem: Alive and Well and Looking for Love in Reno

With "a head the size of a Datsun," Howie Makem prowls the line looking for quality in this illustration for a 1986 Mother Jones article on Ben Hamper. (Photo supplied by Shawn Chittle)

Howie Makem, the legendary G.M. Quality Cat who was lionized by Ben Hamper in Rivethead: Tales from the Assembly Line, is apparently alive and well and living in Reno.

Scott Atkinson, the Flint Journal reporter who seems to get all the good stories these days, reports:
He disappeared from the General Motors shop floor a long time ago, but the Quality Cat is back -- at least in digital form.

Howie Makem, the one-time mascot of General Motors who roamed the shops cheering on workers, recently started his own Facebook page.

(Okay, so it might not actually be Howie, but it's far more fun to pretend.) 
Here's Hamper's description of Howie:
Howie Makem stood five feet nine. He had light brown fur, long synthetic whiskers and a head the size of a Datsun. He wore a long red cape emblazoned with the letter Q for Quality. A very magical cat, Howie walked everywhere on his hind paws. Cruelly, Howie was not entrusted with a dick.
Howie would make the rounds poking his floppy whiskers in and out of each department. A "Howie sighting" was always cause for great fanfare. The workers would scream and holler and jump up and down on their workbenches whenever Howie drifted by. Howie Makem may have begun as just another Company ploy to prod the tired legions, but most of us ran with the joke and soon Howie evolved into a crazy phenomenon.


Sunday, February 16, 2014

Ben Hamper and Take No Prisoners


Ben Hamper defined the humor and heartache of life on the line in Flint in the pages of his bestselling book Rivethead: Tales of the Assembly Line. But he also was instrumental in establishing Flint's punk scene in the eighties via his dramatically unrehearsed radio show Take No Prisoners. It offered a lifeline to Flint kids who did not share the local populace's love of Billy Joel and Foreigner. Chris Kissel and Chuck Armstrong chronicle it all on their podcast, Pressed in America. Listen here. You'll be glad you did.

Wednesday, September 5, 2012

Smell the Mitten with Ben Hamper

Care to go on a two-hour excursion into the vast vault of sixties and seventies Michigan rock n roll with Ben Hamper?

Monday, August 27, 2012

Ben Hamper: Dealing with Monotony

It's always good to start a Monday out with a little Ben Hamper:
"The one thing that was impossible to escape was the monotony of our new jobs. Every minute, every hour, every truck and every movement was a plodding replica of the one that had gone before. The monotony gnawed away at Roy. His behavior began to verge on the desperate. The only way he saw to deal with the monotony was to numb himself to it. When the lunch horn sounded, we'd race out to his pickup and Roy would pull these enormous joints from the glove box. 'Take one," he'd offer. Pot made me nervous so I would stick to the beer from his well-stocked cooler or slug a little of the whiskey that was always on hand."
                 — Rivethead: Tales From the Assembly Line 

Thursday, November 17, 2011

Ben Hamper's Soul Possession


If you haven't heard, you should really be listening to Ben Hamper's Soul Possession radio show out of Traverse City. Listen online here Fridays at 7:30 p.m. Michigan time.


Tuesday, October 23, 2007

Flint Portraits: Ben Hamper

For any exiled Flintoid longing for a taste of home, look no further than "Rivethead," Ben Hamper's brilliant and profane look at life in the auto factories of Buick City. Here's an excerpt, courtesy of Michael Moore's website:

I was seven years old the first time I ever set foot inside an automobile factory. The occasion was Family Night at the old Fisher Body plant in Flint where my father worked the second shift.

General Motors provided this yearly intrusion as an opportunity for the kin of the work force to funnel in and view their fathers, husbands, uncles and granddads as they toiled away on the assembly line. If nothing else, this annual peepshow lent a whole world of credence to our father's daily grumble. The assembly line did indeed stink. The noise was very close to intolerable. The heat was one complete bastard. Little wonder the old man's socks always smelled like liverwurst bleached for a week in the desert sun.



Tuesday, October 25, 2011

Flint Photos: Ben Hamper and Johnny Thunders


Ben Hamper, author of Rivethead: Tales from the Assembly Line, remembers when The New York Dolls played the I.M.A. and Johnny Thunders roamed Eastland Mall:
Yep, it was 1974. I was at the show. We went to see the Dolls but Kiss — who no one had ever heard of at the time — blew 'em off the stage. The Dolls did an in-store appearance at Recordland in the Eastland Mall the day before. Got to meet Johnny Thunders — very nice guy. Johansen & Arthur Cane were chugging vodka straight from the bottle. Ah, the good ol' days.





Friday, June 7, 2013

Ben Hamper and an Octopus Being Crucified


It's time for a Friday dose of Ben Hamper and Rivethead: Tales from the Assembly Line:
"After a hundred wrong turns and dead ends, we found my old man down on the trim line. His job was to install windshields with this goofy apparatus with large suction cups that resembled an octopus being crucified. A car would nuzzle up to the old man's work area and he would be waiting for it, a cigarette dangling from his lip, his arms wrapped around the windshield contraption as if it might suddenly rebel and bolt off for the ocean. Car, windshield. Car, windshield. Car, windshield. No wonder my father preferred playin' hopscotch with barmaids. This kind of repetition didn't look like any fun at all."


Sunday, August 19, 2012

Ben Hamper: Welcome to the Jungle

It's always good to start a Sunday out with a little Ben Hamper:
"I was assigned to the Cab Shop, an area more commonly known to its inhabitants as the Jungle. Lifers had told me that on a scale from one to ten — with one representing midtown Pompeii and ten being then GM Chairman Roger Smith's summer home — the Jungle rates about a minus six. 
"It wasn't difficult to see how they had come up with the name for the place. Ropes, wires and assorted black rubber cables drooped down and entangled everything. Sparks shot out in all direction — bouncing in the aisles, flying into the rafters and even ricocheting off the natives' heads. The noise level was deafening. It was like some hideous unrelenting tape loop of trains having sex. I realized instantly that, as far as new homes go, the Jungle left a lot to be desired. Me Tarzan, you screwed."
              — Rivethead: Tales From the Assembly Line


Saturday, June 22, 2013

Flint Photos: Ben Hamper, Luigi's Pizza, and Gordon Young

Rivethead author Ben Hamper and Teardown author Gordon Young discuss their love of Luigi's Pizza.


Friday, April 11, 2008

Flint Portraits: Gerry Godin

Gerry Godin racked up more than 16 years at Buick before retiring in 1997, so he has a lot of stories to tell on his amazing blog All Things Buick.


"It's hard to believe that 52 years ago, fresh out of High School I started there at $1.47 per hour and worked the 5:30 PM till 7:00 AM shift in the Cleaning Room inspecting Castings. Thirteen hours, 7 days a week was big money then. I bought a 1955 Chevy Belair hardtop fully loaded for $2358."

If Ben Hamper captured the big-picture insanity and hilarity of factory life in Rivethead, Gerry captures the fascinating details with humor and insight. How else would you know where one horticulturally inclined shop rat grew pot in the '70s? (It was on the mezzanine to the right of the big Buick logo visible from Hamilton Avenue.)
Or discover one of the few fringe benefits of working with the searing industrial ovens in the paint department?

"This was the oven where I would heat my ham and cheese sandwich. Hot lunch was about the only good thing about working the third floor paint. Some people liked it but I think the heat and fumes got to there brains. I even think I got some Dain Bramage."

Gerry's got one-of-a-kind photos and the stories behind them, including the sad tale of this ill-fated 1980 Regal:


"This was entirely my fault because I didn't have my forks through the sturups on the basket. The baskets were rectangled with the shorter side facing forward for loading in the semi trailer. I should have rotated the basket before moving but I was out of practice and just gotten back on the job. Due to a cutback I was placed back on my old axle press after an eight year hiatus. Like an elephant Buick never forgets. So when there was a cutback you went back to the lowest position inline with your senority. I did not get a reprimand for this accident because the pictures showed the car was parked over the yellow line at the time. I was so nervous that I went home after cleaning this mess up. The final insult was this car sitting for about a month on the second floor of factory #94 as if on exhibit for all to see."

But some of the most powerful images are the before-and-after photos of Buick City, a precise reminder that a way of life disappeared along with the actual factory buildings.




And you can take it all in while listening to Gerry on guitar singing the Buick City Blues:

up all night/just couldn't sleep
must go to work/gives me the creeps
management, the union, too
they’re for themselves/not me and you

Buick City, Flint, Michigan
hell on earth and here I go again

speed up the line/add work to me
they’ll drive us nuts/but don’t you see?
profits soar/now they get rich
just pile it on/ain’t life a bitch?

Buick City, Flint, Michigan
Hell on earth and here I go again

we work all day/we work at night
we break our backs/it’s quite a sight
whip us like dogs/but can it be?
we will survive/just wait and see

Buick City, Flint, Michigan
Hell on earth and here I go again

now life goes on/and day by day
must go to work/or I don’t get paid
it’ll never change/this life I know
the rich get richer/just rollin’ in the dough

Buick City, Flint, Michigan
Hell on earth and here I go again
Buick City



Wednesday, November 11, 2009

Flint Photos: Eastside

Photo courtesy of Ben Hamper



Thursday, April 2, 2015

An Absence of Unicorns by Megan Crane

When I tell people that I voluntarily chose to move to Flint, I am usually greeted with looks ranging from confused to appalled. Flint, Michigan, a rough-shod blue-collar town gracelessly eroding at its seams, crumbling into its eponymous river as more and more people flee. The town has been described by author Ben Hamper as “greaseball Mecca” and by noted journalist Gordon Young as a “city that continually challenged the national media to come up with new and creative ways to describe just how horrible things were.” Flint has a well-deserved reputation for toughness, and Michael Moore’s documentary Roger & Me depicted the gritty reality of post-GM Flint accurately, if somewhat tongue-in-cheek. It is one of the most violent and crime-ridden towns in the United States. It is also roughly two hundred miles south of my hometown. However, despite growing up in rural northern Michigan, Flint has been a part of my life for as far back as my memory reaches. In an indirect manner, it has helped to shape my adult personality, and that leaves me owing it a spiritual debt, as we all owe the things that create us.


My father was part of the Flint diaspora of the late 1970’s and early 1980’s. He left the city with the hopes that he could find peace and a quiet life up north, and that his offspring would be spared the dangers of a childhood like his, shielding us from the crime, pollution, and general decline of his hometown. Interestingly, Flint still remained nearly a day-to-day topic of conversation in our home. Lee Iacocca and Roger Smith were names I recognized and could identify by face by age five. Michael Moore was someone to be mocked as being “not-from-Flint,” a fact which irritated my father for some unknown reason, as was Moore’s removal from my great-aunt’s bookstore at the hands of my grandfather, who did not approve of the filmmaker’s use of profanity in the presence of ladies.

We made frequent trips south to visit my grandparents and uncle, who remained residents of Genesee County. I would compare Cross Village, Michigan, population 200, where I spent my childhood, to Flint, with rather unfavorable results. Flint had large libraries, museums, a mall, a planetarium, and so many, many things to do. Cross Village, on the other hand, boasted a post office, a tiny general store/gas station, a bar that we were strictly forbidden to enter, and a one-room schoolhouse that educated children in kindergarten through sixth grade until it closed shortly after I entered third grade in 1990. Sturgeon Bay, one of the upper reaches of Lake Michigan, was directly across the street from our front yard, but I had little appreciation of this fact as a child, focusing more on the injustice of the lack of pizza delivery and door-to-door mail service. I felt cheated by the lack of other children to play with and would plead with my parents to move south. My father would attempt to deflect my efforts with what were meant to be cautionary stories of narrow escapes from shadowy-faced hooligans or tragedies that would have never occurred in a suburban setting. However, I was a precocious child, an early reader with a sense of adventure who preferred the reality of Unsolved Mysteries and Reader’s Digest to the Bobbsey Twins and the Hardy Boys, and I developed the ghost of resentment against my parents for depriving me of what I saw as my birthright to eat at Halo Burger and shop at the Genesee Valley Mall.

As I slouched my way through my teen years and into my early twenties, I developed into something of a gypsy, managing to live in several of the small scattered towns north of the forty-fifth parallel without staying more than three or four months in each. Eventually, I settled in Petoskey for a few years, continuing to work as a cook as I had done throughout high school, and always dreaming of escape from what I viewed as a restricted small-town existence. After all, small towns limit opportunities, and the tradition of going off to the city to make a name for one’s self is time-honored for a reason. I still harbored thoughts of Flint in the back of my head, often getting on realtor.com to look at housing costs, searching Flint’s craigslist for cooking jobs, and reading a wonderful blog for former Flint residents, FlintExpats.com. However, while most of the blog’s followers read it for its trips down memory lane and to keep abreast with new developments in their old hometown, I used it rather more as one would use a Spanish dictionary while vacationing in Mexico. Finally, I began to piece together a bigger and more accurate view of Flint than the one garnered from family stories and childhood visits, seeing the city without the rose-colored glasses of childhood fantasy. Flint was dangerous. Flint was dirty. However, it still had colleges and museums, still had history oozing through every pockmark left by an abandoned house, seeping through the wizened and blackened stumps of the burnouts. It invaded my life — most of my friends in Petoskey were either originally from Flint or had ties through their parents to the benighted city. Flint still called to me.

In 2011, I moved 1,800 miles south of Flint to Austin, Texas, searching for year-round employment as a chef. I found a job easily and climbed the ladder rather quickly, ascending from lower-rung prep cook to sous chef, or second-in-charge of the kitchen, in less than two months. Things were going rather well throughout 2012, and I had just been offered the chance to run my own restaurant, an offer I was getting ready to formally accept when my mother suffered a massive heart attack. Six weeks later, I had sold everything I owned that did not fit into two messenger bags and a carry-on suitcase and was on the Amtrak from Austin to Chicago. Two days after leaving Austin, I installed myself at the Super 8 Motel on Miller Road and began looking for a job and a place to live in Flint. I have been living in Genesee County ever since.

My gypsy ways had left me familiar with the adjustment period following every move. Transitioning to a new city means new slang, new eateries, new traditions and routines and habits. My prior familiarity with Flint did not make the transition easier, though. Rather, I felt as though my dad was always walking a couple steps behind me. At the public library, I could almost see the shape of my father, age fifteen, slouched over a notebook and scribbling away. As time passed, I began to see certain traits inherent in my father’s personality explained by the daily reality of living in a factory town like Flint. I began to notice the way that hometowns shape people’s personalities. I am a small-town girl in my heart. I believe in helping the neighbors out and in always trying to believe that people operate with the best of intentions. My sister and I refer to this as “keeping our unicorns,” a sort of stretched metaphor meant to represent the naiveté necessary to believe that the crushed syringe on the ground at the bus stop was dropped by a frazzled diabetic, or that the elderly couple missing for a week simply ran off to Vegas to renew their vows. I like my unicorn; I have grown quite fond of it and have managed to hold onto it for over thirty-two years. Many of my friends “back home” still have theirs too: when your neighbors were once your parents’ neighbors, when your mailman is the fourth cousin of your first grade teacher, and when the cashier greets you by name not because you are a regular, but because you were friends with his older sister in middle school, it is fairly effortless to maintain some level of faith in humankind.

My unicorn, however, has always kept close company with a healthy dose of cynicism. This might sound contradictory, however, my native intelligence led to some rather ferocious bullying when I was a child, which then led to the anxiety issues I still suffer from. After moving to Flint, I began to notice a profound absence of unicorns. People were cynical. People were harsh. So many people felt trapped by the city and dreamed of escape. Meanwhile, Flint kept suffering. The people who fled were the people with education, with fighting spirit and a desire for change, the people still capable of dreaming of better things. It seemed to me that this was one of the roots of Flint’s troubles — all of the people who could help turn the city around and make it better had left or were preparing to do so.

Did I have a right to feel this way? I, too, had fled my hometown, even going so far as to relocate across the country. My travels had shown me, clearly, that where one grows up shapes the person one becomes. In much the way a parent shapes their child’s character, for better or worse, the place where childhood shades into adulthood also dictates several basic parts of personality, such as cynicism, political leanings, slang and its delivery, and often, even choice of career. Had I not grown up in Emmet County, it is impossible to say what I would be like today. My rural upbringing left me with a healthy concern for the environment that focuses more on conservation rather than repair, a love of tree climbing and kayaking and swimming, and a love of animals, especially strays. Since my overall “up North” vibe was one of the things that initially attracted my fiancé to me (he is also an up north boy), I cannot say with any certainty that my marriage in July 2015 would be taking place.

I was starting to feel somewhat guilty for leaving Petoskey and Cross Village until it struck me: those towns were not dying. Cross Village was not the town of my youth. Real estate developers had discovered it in the mid-1990’s and proceeded to blanket it with soulless mansions that saw their inhabitants for three weeks per year. Cross Village, as far as I was concerned, had reincarnated. Petoskey is and has almost always been a resort town, dependent on tourists for the bulk of its economy. It holds a location nearly in the center of the three surrounding ski resorts and has a wildly popular casino and a small but quaint downtown. The residents are well-accustomed to the sudden influx of people in the summer months, and for the first month of “ski season,” and many working-class families augment their household income in the off-season by hunting, fishing, raking leaves and shoveling snow, and other odd jobs. Petoskey would survive without me and others of my kind, dreamers with a passion for a good fight and the smarts to recognize that the road ahead would not be easy.

My curiosity satisfied on that account, I turned to Flint. I had chosen to move here from Austin, rather than back to Petoskey, where my parents now live. On the surface, I rationalized my decision by claiming that it was far easier for me to find a job and affordable housing in Flint, rather than go back to the layoffs and crazy in-season insanity of the tourist towns up north. After all, it was better to be only four hours south rather than a seven hour flight plus a two hour drive away. Now, however, I removed myself from that equation and realized that, in fact, my primary motivation underneath my adult-sounding claims of economic stability was a five-year-old girl in pigtails looking up from her Encyclopedia Britannica and saying “We can finally move to Flint?”

Did I owe Flint a debt, being one generation removed from the right to call it my hometown? Had it truly exerted enough influence over me from two hundred miles away that I could claim any part of it? People who left Flint for greener pastures were referred to as Flint expatriates; what would the term be for someone like me, a gypsy returning to settle in the land of her father? Had Flint born any responsibility for shaping me as a person?

As I stated earlier, I carry a healthy dose of cynicism nestled next to my unicorn. Some blame for that can be laid for the ferocious bullying I endured for four years, which led to a sort of nervous breakdown and a school transfer the next fall. However, a large portion of it I picked up attempting to emulate my father, and his was learned naturally on the streets of south Flint. I felt that my father’s toughness — and to me as a child, my father was the toughest man in the universe — would make me stronger than my tormentors, and indeed, I was disciplined a few times for losing my temper and fighting.

I believe that attempting to model myself after my father lent far more “Flint” to my personality than what I would have naturally inherited, based on examination of the differences between my siblings and myself, and taking our differing basic personalities into account. There are some common threads that mark us as having a somewhat-different upbringing than many of our schoolmates, such as our dark and slightly warped sense of humor, and our political leanings, which are far too liberal for ultra-conservative Emmet County.
All of this intense self-examination had tired me out. I stood and brushed the seat of my Goodwill jeans off and decided to make a run to Angelo’s for a couple coney dogs. It hit me, then: maybe the bits of Flint in me were enough to count. I grew up craving coneys and Halo Burger as equally as I did Mackinaw Island fudge and fry bread. Flint and Petoskey and Cross Village had struck an even balance in me, my hometowns and the home of my father and my father’s family. Both had come together to shape me into the woman I am now. I am fairly fond of myself as a person, for the most part, a geek bearing battle scars from intensive physical labor, the girl who will fight a person for hurting an animal while crying for the animal the entire time. This dichotomy showed me, finally, that yes, I did owe Flint in the same way I owed the towns of my youth. It had already been established that Cross Village was beyond recognition and that Petoskey had never needed me. That left Flint.

I needed my homemade mythos of Flint as a child. It represented all the large dreams of a city that my child’s brain could create. It gave me a focus point while I struggled through the long days of school, watching over my back for my tormentors, getting in fights on the playground, that there was a place out there where I would be able to get through one day unnoticed, with no one calling me a freak. As I grew older and started to make my way in the world as a chef, my vision of Flint shifted to that of a place that would not scorn my working-class upbringing, where the economy was troubled but there were still opportunities available, where everyone got a chance if they were just willing to work for it. 

Sitting on my sofa, tonight, in the living room of my little house in Atherton Park, I see that my vision remains largely unchanged, merely more concrete.
Flint helped shape me as a person on a number of different levels. Most importantly, it gave me a touchpoint. This crumbling town was a beacon of hope for me as a teenager, and it is difficult to let go of the illusions cherished at that age. As an adult, Flint represented myself to me, in a way. Battered and torn down by the establishment, it struggles and has been struggling for years to come back from the ashes of the burnouts and the devastation left in GM’s wake, finally attempting to recreate itself as a college town. I spent years struggling to overcome crippling low self-esteem and horrible attacks of free-floating anxiety after being ostracized and hurt, finally recreating myself as a loud, brash, cocky chef. It has only been over the last eighteen months that I have been able to let my original geeky book-obsessed self out of hiding. Flint has a reputation for being hard, dirty, crime-ridden and poverty-stricken, yet underneath that reputation lies good people, amazing cultural sites, and a wealth of experiences and history one would be hard-pressed to find anywhere else. People who grow up in Flint are resilient. They are survivors, able to roll with whatever life throws at them, for the most part. They share a sense of community and nostalgia that keeps them coming back for visits, keeps them busy on their computers googling “Safetyville” and “Hamady sack” and “coney dog Flint-style” when they get homesick. In towns with a large population of Flint expatriates, they tend to find each other almost as though drawn to one another. They share almost a unique love-hate relationship with the city of their birth. None of these characteristics would be present in these people to this degree had they not grown up here. Flint has shaped them — and to a lesser extent, me — in ways no other city could manage.

We — each of us who walk and breathe and eat — owe our parents a spiritual debt for spawning us, raising us, teaching us who we should — or should not — be. In much the same way, where we come from shapes who we are. I am a second-generation Flintoid, a northern Michigan girl raised by an expatriate with the Flint worldview, a Flint repatriate. I came home because of my mother, because I owe it to her to be close while she recovers. I choose to live in Flint for the same reason, because I owe it to aid it in its resurrection. As I was able to rebuild myself into a stronger, better person, albeit one with visible scars from my past, so too can my adopted home rise again, rebuild, secure in its new status as a college town and wiser for its years of struggle. It just needs our help.


Monday, May 10, 2010

Flint Photos: Angelo's Coney Island Sign


If you're in the market for a visual metaphor of Flint's decline, look no further than this shot of Angelo's from a few year's back by Ben Hamper, author of Rivethead: Tales from the Assembly Line. And I never pass up an opportunity to quote from Rivethead:
"Which is to say that being a factory worker in Flint, Michigan, wasn't something purposely passed on from generation to generation. To grow up believing that you were brought into this world to follow in your daddy's footsteps, just another chip-off-the-old-shoprat, was to engage in the lowest possible form of negativism. Working the line for GM was something fathers did so that their offspring wouldn't have to."


Wednesday, April 14, 2010

A Shrine to Flint Culture



Shawn Chittle, a Flint Expatriate now living in New York, has created an amazing new blog called Flint History. It's filled with Vehicle City memorabilia displayed with museum-like attention to detail. He also features great video clips and oddities like our favorite writer and rivetehead Ben Hamper's Chevy Truck & Bus I.D. badge. The site is nothing less than a shrine to Flint fashion, culture, and lore.




Monday, February 21, 2011

Flint Artifacts: Jack Gilbert's Wayside Inn Matchbook


A dearly departed Flint drinking establishment memorialized by Ben Hamper in Rivethead.


Tuesday, December 31, 2013

Ben Hamper Heard of Flint



Monday, February 18, 2013

Teardown: Memoir of a Vanishing City by Gordon Young



Teardown: Memoir of a Vanishing City by Gordon Young will hit bookstores in June 2013. It's available now for pre-order. Go to teardownbook.com for photos, excerpts, reviews, links to online stores like Barnes & Noble, and more.

At the height of the real estate bubble, Gordon Young and his girlfriend buy a tiny house in their dream city, San Francisco. They’re part of a larger influx of creative types moving to urban centers, drawn by the promise of fulfilling jobs, bars that offer a dizzying selection of artisanal bourbons, and the satisfaction that comes from thinking you’re in a place where important things are happening. But even as Young finds a home in a city sometimes described as 49 square miles surrounded on all sides by reality, a vital part of him still resides in industrial America in the town where he was raised: Flint, Michigan. It’s the birthplace of General Motors, “star” of the Michael Moore documentary Roger & Me, and a place that supplies the national media with never-ending fodder for “worst-of” lists.

Filled with nostalgia and compelled to help his struggling hometown, Young hatches a plan to buy a house in Flint. He embarks on a tragi-comic odyssey to rediscover the city that once supplied the country with shiny Buicks and boasted one of the highest per capita income levels in the world, but now endures a real unemployment rate pushing 40 percent. What he finds is a place of stark contrasts and dramatic stories, where an exotic dancer can afford a lavish mansion, and speculators snap up cheap houses on eBay by the dozen like jelly donuts. There are desolate blocks where only a single house is occupied, and survivors brandish shotguns and monitor police scanners. While the population plummets, the murder rate soars. Throw in an arson spree and a racially motivated serial killer and Young wonders if Flint can be saved.

And yet, he discovers glimmers of hope. He befriends a rag-tag collection of urban homesteaders and die-hard residents who refuse to give up on the city. Dave Starr, a well-armed shop rat who logged 14,647 days in a G.M. plant, battles cancer and economic decline as he joins forces with his neighbors to preserve a lone block surrounded by decay. Pastor Sherman McCathern negotiates with God in his heroic effort to transform an abandoned church and improve the lives of his congregation. Mayor Dayne Walling, a Rhodes Scholar in his thirties who spent his adult life grooming himself to run Flint, has the toughest job in politics — one that sometimes necessitates police protection for his family. And Dan Kildee, a local politician and urban planning visionary, grabs international attention — and trades jabs with Rush Limbaugh — by arguing that Flint and other troubled urban areas should manage decline instead of futilely trying to stop it.

Young’s insights, hard-hitting and often painfully funny, yield lessons for cities all over the world. He reminds us that communities are ultimately defined by people, not politics or economics. Teardown reveals that the residents of Flint are still fighting, in spite of overwhelming odds, to reinvent their city. In the end, Young learns that you can go home again. But the journey is likely to be far more agonizing and rewarding than you ever imagined.

 

Praise for Teardown

There must be a thousand good reasons to flee Flint. I can't assume there are many reasons to return. Gordon Young's Teardown supplies a few of these answers. A humorous, heartfelt and often haunting tale of a town not many could love. Fortunately for us, a few still do.
- Ben Hamper, author of Rivethead: Tales From the Assembly Line
Teardown is the tragic and somehow hilarious tale of one man's attempt to return to his hometown of Flint, Michigan. Gordon Young is a Flintoid at heart, and his candid observations about both the shrinking city and his own economic woes read heartbreakingly true.
- Novella Carpenter, author of Farm City: The Education of an Urban Farmer
Armed with an aluminum baseball bat and a truth-seeking pen, Gordon Young returns to the post-industrial wasteland of his hometown — Vehicle City, aka Flint, Michigan — in search of a derelict house to buy and restore. At least that's his cover story. Young's true mission is to reclaim his past in order to make sense of his present. If you're bewitched by the place where you grew up, you'll find comfort and a sense of home in the pages of Teardown.
- Jack Shafer, Reuters columnist and a former Michigander
Teardown is a funny and ultimately heartbreaking memoir. The travails of house hunting are skillfully interwoven with Gordon Young's attempt to reconcile life in his adopted city of San Francisco with his allegiance to Flint, Michigan, the troubled city of his childhood. The result is an all too contemporary American story of loyalty, loss, and finding your way home.
- Tom Pohrt, illustrator and author of Careless Rambles by John Clare, Having a Wonderful Time, and Coyote Goes Walking
Like so many other Flintites, I visit my hometown with a mix of sadness, repugnance, and anger. Flint is too easy to criticize, but I look back in gratitude for the values Flint instilled and the bonds I made that remain with me to this day. You can take the boy out of Flint, but you can't take Flint out of the boy.
- Howard Bragman, author of Where's My Fifteen Minutes?